亡灵艺术

《亡灵艺术》的叙事结构带着典型的心理恐怖烙印：导演坎尼斯基放弃了线性推进，转而用数条人物支线缠绕一幅受诅咒的画作，逐步将日常空间侵蚀成异质领域。但要是你爱《招魂》那种精致恐怖，可能就觉得它有点糙。反正我是看得挺开心，边笑边捂眼睛。塔拉·雷德演的女主角在逐步崩溃时那种眼神发直、呼吸急促的细节挺到位，理查德·格里克饰演的反派则带着一股神经质的粘稠感。塔拉·雷德饰演的策展人，她的崩溃不是靠尖叫完成的，而是从手指颤抖到眼神空洞的渐进式瓦解，这种克制在同类角色中很少见。剧情上没太多弯弯绕，就是一个诅咒画作引发的连环死亡，胜在节奏不拖泥带水。

When Dylan Wilson purchases a collection of seven paintings to hang in his wealthy estate, he has no idea what horrors he has unleashed for himself, his wife; Gina, his college son; Louis, his teen-age daughter; Donna, and his two little kids. Only Father Mendale knows what evils lurk inside this deadly art and the history of Dorian Wilde; the artist who made a pact with dark forces when he created these paintings that represent the seven deadly sins. Now, anyone who comes in contact with these pictures are corrupted by Pride, Lust, Gluttony, Sloth, Greed, Envy, and Wrath. It's up to Father Mendale and Louis' girlfriend; Kim to save Dylan and his family before they are all destroyed by the Art of the Dead.

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