暴力之音

如果你正在犹豫要不要看，我可以告诉你：《暴力之音》最特别的地方，是把“声音”本身变成了杀人武器。如果你愿意忍受前半小时稍慢的铺垫，后半段会得到一种近乎疼痛的沉浸体验——建议戴耳机观看。汉娜·梅·利和布莱恩·赫斯基的配角戏份不多，但正好充当了主角世界里的“冷静参照物”，让她的疯狂更有对比度。** 导演Alex Noyer把恐怖感和音乐理论绑在一起——主角通过录制受害者的尖叫声、骨骼碎裂声来“谱写”交响乐，镜头经常对准录音设备和声波波形，让残忍的杀戮变得像一场实验艺术。Lili Simmons演的女主角在冷静和癫狂之间切换，尤其是她拿刀时身体轻微颤抖的细节，透露出角色对暴力本身的沉迷。汉娜·梅·李与布莱恩·赫斯基的配角戏份则充当了叙事中的“调音台”，推动主角在疯狂与清醒间摇摆。

Alexis composes music through torture and pain. As a child, the brutal murder of her family made her regain her previously-lost hearing along with synesthetic abilities.　　Now as an adult, she’s told she might lose her hearing again, so she escalates her gruesome sound experiments in a quest to compose her masterpiece. Her supportive roommate Marie becomes the unknowing acolyte to her destructive process.

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