凯歌与挽歌

《凯歌与挽歌》不像常规艺术传记片那样靠旁白或专家访谈来填鸭知识，导演Troilo干脆把叙事权交给了Kentridge的双手和炭条——镜头追着他擦过罗马台伯河畔的墙面，那些忽明忽暗的影人仿佛从石头里自己长出来。和《达利：不朽之旅》那种精致还原不同，这片子刻意保留了很多排练现场的失误和等待，甚至让你看见Kentridge对着空舞台发呆。创作过程中，他不断被街头抗议的声浪、政治流亡者的记忆以及自己身体里逐渐显现的疾病打断——那些被擦去污垢显露出的白色人形，竟开始与真实的生活产生诡异的呼应。适合对跨媒介叙事、后殖民主题及当代艺术影像化表达有研究兴趣的观众，尤其适合那些厌倦传统剧情片、愿意在断裂与重复中寻找隐喻的影迷。剧情其实挺简单的：一个艺术家在工作室里跟自己较劲，一会儿高兴一会儿叹气，鼓捣一堆破铜烂铁和歪歪扭扭的线条。影片最独特处在于：它让艺术创作的过程本身成为剧情，而历史批判藏在每一次炭条摩擦墙面的声响里。

Triumphs and Laments documents one of contemporary artist William Kentridge’s most ambitious and controversial projects a colossal frieze along the banks of the Tiber river in Rome portraying the glories and tragedies of the Eternal City that was commissioned in the summer of 2016. The film, shot with exclusive access to Kentridge over the course of two years from his home in South Africa to the center of Rome, details the artist’s vision and his creative process in developing a work of art that will disappear in just a few years.

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