文艺复兴解锁

《文艺复兴解锁》简直是历史迷的狂欢盛宴。影片最大的看点在于Januszczak独特的“狂想式”叙事，他不仅把文艺复兴讲得妙趣横生，还巧妙地用梵高的画作去“复活”历史现场，极具视觉冲击力。导演Januszczak节奏明快，他像个讲故事的人一样，把复杂的艺术史拆解得生动有趣。他犀利地指出那些艺术史背后的不光彩交易，剧情充满了打破滤镜的荒诞与趣味。 剧情亮点在于那些大师背后的精彩八卦——达芬奇的荒诞、米开朗基罗的狂怒、拉斐尔的完美主义。如果你也是个爱看有趣科普的“美剧脑”，或者对欧洲历史有点好奇，千万别错过这档不仅长知识还能让你乐到拍大腿的节目。

　　According to Giorgio Vasari, the first art historian, the Renaissance was centred on a revival of interest in classical art that began and flourished in Italy. Waldemar disagrees, and accuses Vasari of errant jingoism. In fact, the most significant early developments in Renaissance art took place not in Italy, but in the ‘barbarian’ lands of Flanders and Germany. Instead of understanding the Renaissance as a return to classical models, we should see it as a climax of medieval values - an epoch of huge religious passions and powerful human emotions.
　　The series will celebrate material that is new to television. Waldemar will include art that is not usually thought of as Renaissance art. This will involve 're-classifying' what is sometimes called Late Gothic, and showing it off as a marvellous and native artistic tradition, particularly in the remarkable field of polychrome sculpture. On top of all the new art to be introduced, Waldemar will also look from fresh and intriguing angles at many of the established Renaissance giants, including Michelangelo in the Vatican, Leonardo in the Louvre, Botticelli in the Uffizi and Van Eyck in Ghent.

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