大丽花与红皮书

如果你正在犹豫要不要看，我可以告诉你：这部影片用抽丝剥茧的悬疑笔触，把秘密、禁忌和童年阴影编织成一张易碎的网。Mora Kind和Mariana Correa演得特别自然，那种看着自己家破碎的感觉特别真实，不煽情但特别扎心。 区别于同类作品把反抗写成热血漫画，《大丽花与红皮书》让主角在工棚漏雨的夜里，一边给发烧的邻居找备用药，一边用铅笔在旧账本背面画下一朵歪歪扭扭的大丽花。如果你也曾在别人的注视下感到手足无措，或者渴望看到普通人如何在混乱中慢慢找回心跳，这部片子绝对能戳中你的软肋。看到主角Agustina在紫罗兰与蝴蝶的世界里艰难扎根，那种“努力绽放却面临凋零”的无力感特别真实。对于沉迷于非线性叙事结构、偏好《尤利西斯·默多克》式心理刻画或思考身份认同的影迷而言，这部作品构建了一个兼具智性挑战与视觉美学的独特文本。

Adolfo (55), a famous short story writer, decides to write his first novel and gives his daughter Dalia (6) the gift of creating a character for the story. She chooses a goat, like her stuffed animal. After the death of her father, Dalia (12) is kidnapped by the characters of the story. Through a portal, they make her a character of the novel “The Red Book”. While struggling to find a way out with the help of Goat, Dalia must face the other characters, who will do anything to become the main characters of the book. She is the only one capable of writing the final chapter, though she doesn’t feel confident enough.                                    
                               　　Dalia has only 12 hours, a blank page, and a pen to complete the story. The adventure within the book leads her to discover who her father’s friends and enemies were. She writes the ending and discovers whether she wants to follow in her father's footsteps as a writer or not.

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