聚焦人生

故事是这样的：纽约一位年过花甲的记者听闻一位神父被撞身亡的传闻，出于直觉，他带着年轻搭档重新翻查了那个压在档案箱底十年的旧案子。这电影太苦了，全是中年男人的狼狈和算计，如果你正处在人生的低谷，或者想看看什么叫“体面地崩塌”，这片子绝对能戳中你。 演员的表演更是“反套路”：金尼尔没有歇斯底里，只是把“思考时眼神会无意识飘向窗外”的小动作做到极致；达福则把“刻意合群的疏离感”演成了日常——他笑着听人说话，手指却始终攥着咖啡杯，像怕一松手就漏了什么。但就是这些“不使劲”的时刻，会突然戳中你：那个总说“没事”的人，说不定抽屉里藏着没寄的信；你以为陌生的路人，也许曾和你一样，在深夜为某件没说出口的心事失眠。适合那些曾在某一刻突然怀疑“我是不是也在浪费人生”的人——它不会给你答案，却会让你对着弗兰克递番茄酱的手、雷堆满家具的地下室，突然红了眼：原来最扎人的，从来都是“没说出口的那一句”。导演不讲什么大起大落的煽情，就细细地扒新闻背后的那些麻绳头子，看着主角团队像做侦探一样，从一堆破纸堆里一点点把真相往外拽，那种“抽丝剥茧”的过程特别带感。

In 1965, Bob Crane, who had achieved some earlier success as a television supporting actor, was working as a successful morning radio DJ at KNX Los Angeles. Despite enjoying his work, photography (especially of the female form) and drumming, Crane wanted to be a movie star. So it was with some reluctance that he accepted the title starring role in a new television sitcom called Hogan's Heroes (1965), a WWII POW comedy. To his surprise, the show became a hit and catapulted him to television stardom. The fame resulting from the show led to excesses and a meeting with home video salesman and technician John Carpenter, with who he would form a friendship based on their mutual interests, namely excessive sex (for Crane, purely heterosexual sex) and capturing nude females on celluloid. His fame allowed Crane to have as much sex as he wanted, which was incongruent to his somewhat wholesome television friendly image, and the way he portrayed himself to almost everyone except Carpenter and his...

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